Max 6, then, is Cycling '74's (long overdue, some might say) attempt to bring all the elements of Max/MSP together and make them more accessible to newcomers. Most recently, in 2009, Cycling '74 teamed up with Ableton and released Max for Live, intended to give Live and Max users a bridge between their worlds, bringing timeline-based workflow to Max users, and giving Live users custom-built devices, expanded interface access, and new levels of hardware control. Like MSP, Jitter is still very much part of Max. Jitter is mostly used for video and graphics - video frames are just number arrays - but it can also be used for any other applications that use tables, including menu tables and statistical analysis. In 2003, a table and array processor called Jitter arrived alongside Max 4. MSP's built-in spectral processing features also enable the creation of pitchshifters and spectral delays, and if you've got the DSP skills you can even design custom filters from scratch.
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